Tuesday, January 18, 2011

Pink Cloud Official Blog

this is the blog to post all
location photos
anything we need to show faculty online
previz
questions
homework / assignments you need answers for
etc
Created by Andre / all Pink Cloud crew are authors


Please remember to accept authorship invite

3 comments:

  1. Tuesday 1/18/11 CREW MEETING NOTES

    Test shoot plans so far:
    SCENE: SCENE 2: JIMMY walks out of the liquor store to the DEALER’s car; the deal happens; Jimmy gets out and the car drives off; COCO approaches and talks to Jimmy through “Let’s go.”

    Location: EXT. LIQUOR STORE; maybe also INT. APARTMENT location

    Cast: Jimmy, Dealer, Coco


    INDIVIDUAL DEPARTMENT TESTS
    Camera:
    -35 mm adapter & primes
    -Picture profiles for the right look
    -How to light the car
    -Watered down streets for a post-rain look
    If INT. APARTMENT location possible, would also like to test:
    -How to hang sodium lamps overhead
    -How to light through windows without blocking the view
    -Fogger if we can get it free for the test vs. Haze filter


    Sound:
    - Dialogue test

    Production Design:
    -Wardrobe
    -Car
    If INT. APARTMENT location possible, would also like to test:
    -Wallpaper styles

    PLEASE UPDATE ME WITH YOUR TEST SHOOT PLANS VIA THE GOOGLE DOC I'VE INVITED YOU TO!!!

    L&D Agreement decided:
    On set damages paid by all (except Camera - DP, and mixer/boom - Sound)
    Off set (transport or holding) damages paid by department in charge.


    Also agreed on: Extra money in the slush fund...$100 goes to Debora for festivals, the rest we divide evenly.


    NEXT WEEK: Bring $300 checks for Andre!

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  2. Tuesday 1/25/11 - CREW MEETING NOTES

    Our rough test schedule...
    Saturday, 1/29/11, 1:00PM-9:00PM, INT. Coco's Apartment
    Sunday, 1/30/11, 3:00PM-10:00PM, EXT. Pretend Biker Bar (We will be doing this test somewhere on campus. We'll let you know as soon as we know where on campus. The actual location will not be on campus!)
    NOTE TO PDs: We will be tested the water wetdown. Coordinate to make this happen.

    Our rough shooting schedule...(please send this out to your 2nd crew)
    Week 1 - (Day shoots)
    Coco's apt

    Week 2 - (Day shoots)
    Sat - Coco's apt
    Sun - Hannah - last scene first, with KIDS, to get them wrapped

    Week 3 - (NIGHT shoots) - THIS IS A 3-DAY WEEKEND
    Sat - City Street (aka Biker Bar) - SPIDER & Coco
    Sun - Prison, Hallway/stairs - Street Scenes (poss. Rule of 3)

    Week 4 - (Day shoots)
    Hannah's apt

    Day shoots will be roughly 7am-6pm.
    Night shoots will be roughly 3pm-3am. This applies to Saturday night, 2/19/11 and Sunday night, 2/20/11.

    I'm sending out a message about our test schedule tonight to all 2nd crew. If you bring anyone onboard, you must give me they're contact info. Here's who I already have:

    1ST AC Savannah Lejeune-Stodieck
    2ND AC Anh Phan
    KEY GRIP Harrison Mantas

    SET DRESSER Irene Young
    MAKEUP/
    HAIR Ray Garcia
    WARDROBE Kaishelle Jackson

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  3. OK, here is the final plan for cinematography tests:

    - SGBlade 35 mm adapter & 4 Nikkor prime lenses VS. shooting without an adapter

    -A few different picture profiles for various parts of the film VS. more neutral shooting profiles with greater emphasis on color grading in post.

    -How to neutralize orange sodium lamp temperature for exteriors without cutting light loss. A combination of picture profiles, blue gels on sodium lamps (if possible), and color grading in post.

    -Lighting the motorcycles with large soft lights (or anything chrome) along with hard-lit characters in the same shot

    -Watered down streets for a post-rain look

    -Various methods of shooting night interiors
    1. Day for night using ND filters on the windows to cut down window light.
    2. Day for night using PD to cover windows and allowing orange streetlight to streak in through tears in the curtains (is this possible to set up, Angel and Amanda?)
    3. Night for night using orange streetlamp lights coming in through the windows.

    -Haze effects, allowing volumetric lighting (shafts of light). How to regulate and create a consistent volume of haze between shots/setups.

    -Various ways to cover the sex scene that cinematographers can use expressively, editors can cut well, and actors and studio teachers will have the least problems with.

    Thanks! Hopefully this isn't too much stuff, but it's all vitally important.

    ~ Adhish

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